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He’d be a find for an American indie seeking exciting new blood.Īwards Daily had quite the rousing and fun chat with both filmmakers and star. Deft at comedy, he is also heartbreaking in the film’s serious moments. Along the way, he makes new and trippy friends, realizes where his true career path lies and lets himself finally give in to a healthy romantic life.Ĭommare commands the screen. But when Lorenzo dumps him, he must learn to forge his own path, and that means figuring out who he is, alone. Handsome and sexy Antonio (Giancarlo Commare) isn’t even 30 yet and he’s been in a serious relationship for 12 years, relying on his husband, Lorenzo, for most everything and seemingly unaware of his own worth, not to mention his yumminess. Even Ozpetek’s gays are safe and often closeted.įirst-time feature film directors Alessandro Guida and Matteo Pilati deliver a delicious, queer-empowering delight that has all the ingredients that you would expect (hot men, nudity, sex, clever dialogue, pastries, Madonna), but the filmmakers, along with co-screenwriter Giuseppe Paternò Raddusa, do a deep dive into the fears and anxieties that come with learning to love oneself in a world that rarely allows for that luxury. Certainly Pasolini, Visconti, and Zeffirelli (to name the most famous out directors) explored homoeroticism in their films in the ‘60s and ‘70s, but except for Turkish/Italian helmer Ferzan Ozpetek’s seminal work throughout his career, gay representation on the Italian screen has been virtually limited to comic caricature characters and a few male-gaze lesbian moments.īut now we have Mascarpone (Maschile Singolare), a bold and rather subversive new film where gay characters are out and proud and live their lives without any of that self-hate and Catholic guilt you’ve heard so much about (okay, maybe not without the latter but with less than the usual amount). Italian cinema has never been incredibly embracing when it comes to telling queer stories. Throw in Hugh Grant as a smarmy love-rat, Colin Firth as a bumbling gentleman and a script co-written by Richard Curtis, and you’ve got romcom royalty.Download: Making ‘Mascarpone,’ a Queer-Positive Concoction Zellweger’s performance – British accent and all – is just highly believable her Bridget is one of us (although how an assistant at a publishing house can afford to live alone in a one-bedroom flat in London Bridge requires a little suspension of disbelief). That being said, it remains a charming and deeply relatable film, thanks mostly to double-Oscar-winner Renée Zellweger, who injects a lovable charm into her portrayal of the almost perennially unlucky-in-love Bridget. ‘Bridget Jones, wanton sex goddess, with a very bad man between her thighs…’īased on Helen Fielding’s newspaper-column-turned-bestselling-book about a loveable but perpetually single thirtysomething living in London, Bridget Jones’s Diary is very much a product of its time (hopefully today, we wouldn’t dare consider Bridget overweight or the fact that she’s single in her thirties a problem). ? The 100 best romantic films of all-time Written by Dave Calhoun, Cath Clarke, Tom Huddleston, Kate Lloyd, Andy Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer After two-time Olympic gymnast Danell Leyva came out as gay, I was reminded of just how much I. Before she had a penis, Ann used to imagine sometimes while making love that she and her girlfriend were two gay men. There is just something about the gymnastic body. Images via Instagram arthurnory, danelljleyva, & donnellwhittenburg.
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(from left to right) Arthur Nory Mariano, Danell Leyva, Donnell Whittenburg.
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Love contains multitudes, and so do romantic comedies, and we considered it all when putting together this list of the best romcoms of all time. 13 Hot Male Gymnasts To Fill You With Thirst. Others are light and airy, or borderline fantastical. Others are dark and cynical, because, well, love often sucks. Some are sophisticated, drilling deep into the complexities of interpersonal relationships. Who hasn’t been in love, in one form or another? And honestly, what’s funnier than the things humans do while under love’s spell?īut the best romantic comedies don’t have to be straight-ahead farces to qualify – although, to be fair, many of them are. Frequently derided and dismissed as ‘chick flicks’, romcoms are, in truth, more broadly relatable than any other category of film.
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No movie genre is more misunderstood than romantic comedy.